abstract, contemplative and virtual from afar, these works are made as sensual still-lifes that conserve concrete experiences of sight and touch. the messaging potentiality is what the word 'virtual' essentially means: to act in effect or essence. these drawings conceptually lay between the real-made and the abstracted, between the tactile sensation of drawing on pieces of paper and the experience of the works viewed as a screened rendering.

'to make something that looks like itself', the artist Richard Tuttle once said about his work. so here I go drawing and virtually staging my drawings... as drawings essentially.